Brief Summary of the Plot from Goodreads: Armed with only hazy memories, a woman who long ago witnessed her friend’s sudden, mysterious death, and has since spent her life trying to forget, sets out to track down answers. What she uncovers, deep in the woods, is hardly to be believed….
Maya was a high school senior when her best friend, Aubrey, mysteriously dropped dead in front of the enigmatic man named Frank whom they’d been spending time with all summer.
Seven years later, Maya lives in Boston with a loving boyfriend and is kicking the secret addiction that has allowed her to cope with what happened years ago, the gaps in her memories, and the lost time that she can’t account for. But her past comes rushing back when she comes across a recent YouTube video in which a young woman suddenly keels over and dies in a diner while sitting across from none other than Frank. Plunged into the trauma that has defined her life, Maya heads to her Berkshires hometown to relive that fateful summer–the influence Frank once had on her and the obsessive jealousy that nearly destroyed her friendship with Aubrey.
At her mother’s house, she excavates fragments of her past and notices hidden messages in her deceased Guatemalan father’s book that didn’t stand out to her earlier. To save herself, she must understand a story written before she was born, but time keeps running out, and soon, all roads are leading back to Frank’s cabin….
Utterly unique and captivating, The House in the Pines keeps you guessing about whether we can ever fully confront the past and return home.
My Review: Maya witnessed the sudden and mysterious death of her best friend, Aubrey, when they were both high school seniors. Seven years later, Maya is still haunted by Aubrey’s death and the gaps in her memories of that summer. When she sees a video of a young woman dying in a diner after sitting across from Frank, the same man who was with Aubrey when she died, Maya is forced to confront her past. She returns to her hometown in the Berkshires to try to piece together what happened, but she soon realizes that Frank is not the only one who has secrets.
The book has a feeling of the supernatural — and the twist at the end was not expected!
I really enjoyed this book. I was on the edge of my seat the whole time, just waiting to figure out what it is about Frank that make women drop dead around him. The characters development was also great. They are complex and realistic, and in the case of Maya, is flawed yet deeply likeable. We learn the backstory of Maya (the timeline alternates from the present, as Maya investigates the death of Christine, to what happened in the past leading up to Aubrey’s death). We get an in depth look at the relationships Maya has in her life: with her boyfriend, her mother, and her best friend when she was a child. We learn of Maya’s trauma, her struggles and her will to overcome them.
I felt invested in Maya and her growth through out the novel.
Stats: As of writing this review (September 12, 2023) this book has a 3.14 star rating on Goodreads, which I feel to be unfair. I thought this book was just fantastic!
Goodreads Monday is hosted by Budget Tales Book Blog. “Goodreads Monday allows you to post about what books are on your “to read” lists, the progress you have made on your current books and reading challenge, and any other Goodreads news!”
Armed with only hazy memories, a woman who long ago witnessed her friend’s sudden, mysterious death, and has since spent her life trying to forget, sets out to track down answers. What she uncovers, deep in the woods, is hardly to be believed….
Maya was a high school senior when her best friend, Aubrey, mysteriously dropped dead in front of the enigmatic man named Frank whom they’d been spending time with all summer.
Seven years later, Maya lives in Boston with a loving boyfriend and is kicking the secret addiction that has allowed her to cope with what happened years ago, the gaps in her memories, and the lost time that she can’t account for. But her past comes rushing back when she comes across a recent YouTube video in which a young woman suddenly keels over and dies in a diner while sitting across from none other than Frank. Plunged into the trauma that has defined her life, Maya heads to her Berkshires hometown to relive that fateful summer–the influence Frank once had on her and the obsessive jealousy that nearly destroyed her friendship with Aubrey.
At her mother’s house, she excavates fragments of her past and notices hidden messages in her deceased Guatemalan father’s book that didn’t stand out to her earlier. To save herself, she must understand a story written before she was born, but time keeps running out, and soon, all roads are leading back to Frank’s cabin….
Utterly unique and captivating, The House in the Pines keeps you guessing about whether we can ever fully confront the past and return home.
Since 1973, The Exorcist and its progeny have scared and inspired half a century of filmgoers. Now, on the 50th anniversary of the original movie release, this is the definitive, fascinating story of the scariest movie ever madeand its lasting impact as one of the most shocking, influential, and successful adventures in the history of film. Written by Nat Segaloff, an original publicist for the movie and the acclaimed biographer of its director, with a foreword from John Russo, author and cowriter of the seminal horror film Night of the Living Dead.
On December 26, 1973, The Exorcist was released. Within days it had become legend. Moviegoers braved hours-long lines in winter weather to see it. Some audience members famously fainted or vomited. Half a century later, the movie that both inspired and transcends the modern horror genre has lost none of its power to terrify and unsettle.
The Exorcist Legacy reveals the complete story of this cultural phenomenon, from the real-life exorcism in 1949 Maryland that inspired William Peter Blatty’s bestselling novel on which the movie is based, to its many sequels, prequels, TV series, and homages. Nat Segaloff, biographer of the film’s director, William Friedkin, draws on original interviews with cast, crew, and participants as well as revelations from personal papers to present an intriguing and surprising new view of the making of movie, and its aftermath.
Segaloff also examines as never before the keys to the movie’s enduring appeal. Friedkin and Blatty’s goal was far more ambitious than making a scary movie; they aimed to make people “think about the concept of good and evil.” The Exorcist succeeds, and then some, not just by creating on-screen scares, but by challenging viewers’ deepest personal beliefs—and fears.
Progress: Kindle 72% (May 15th: 11%, June 6th 22%, June 19th 33%, August 21st 45%, September 4th 66%)
The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.
Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.
Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, “By excluding the human factor, aren’t we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn’t the human factor the only true difference between us and the enemy we now refer to as ‘the living dead’?”
Progress: Page 196 of 342 pages (August 21st page 68, September 4th page 196)
Given the fact that there are perhaps 400 billion stars in our Galaxy alone, and perhaps 400 billion galaxies in the Universe, it stands to reason that somewhere out there, in the 14-billion-year-old cosmos, there is or once was a civilization at least as advanced as our own. The sheer enormity of the numbers almost demands that we accept the truth of this hypothesis. Why, then, have we encountered no evidence, no messages, no artifacts of these extraterrestrials? In this second, significantly revised and expanded edition of his widely popular book, Webb discusses in detail the (for now!) 75 most cogent and intriguing solutions to Fermi’s famous paradox: If the numbers strongly point to the existence of extraterrestrial civilizations, why have we found no evidence of them?
Progress: page 56 of 434 (August 21st page 22, September 4th page 26)
Marriages are tricky at the best of times, especially when one of you is dead.
Vincent Banecroft, the irascible editor of The Stranger Times, has never believed his wife died despite emphatic evidence to the contrary. Now, against all odds, it seems he may actually be proved right; but what lengths will he go to in an attempt to rescue her?
With Banecroft distracted, the shock resignation of assistant editor, Hannah Willis, couldn’t have come at a worse time. It speaks volumes that her decision to reconcile with her philandering ex-husband is only marginally less surprising than Banecroft and his wife getting back together. In this time of crisis, is her decision to swan off to a fancy new-age retreat run by a celebrity cult really the best thing for anyone?
As if that wasn’t enough, one of the paper’s ex-columnists has disappeared, a particularly impressive trick seeing as he never existed in the first place.
Floating statues, hijacked ghosts, homicidal cherubs, irate starlings, Reliant Robins and quite possibly several deeply sinister conspiracies; all-in-all, a typical week for the staff of The Stranger Times.
Progress: page 60 of 443
Next Up:
Title: The Doom Magnetic Trilogy
Author: William Pauley III
Book Length: 310 pages
Goodreads Summary: CHORIZO, NEVADA is filled with the grittiest of men and the filthiest of women—the perfect place for a man chockful of secrets to hide. But one fateful day, his past catches up to him…
A Japanese assassin, with a cue-ball for an eye, invades the town with an army of two-foot eyeless minions who thirst for human blood. This man has two things on his mind: Where is his purple television? And who is the dead man that stole it from him?
The Doom Magnetic Trilogy is a fast-paced sci-fi western, packed plum-full of sex, violence, cosmic voids, coliseum-style combat, genetically engineered mutants, breathy brain whispers, cigar smoke torture chambers, and a sea of electric television zombies.
Time Travel Thursday is hosted by Budget Tales Book Blog. This is where I take a look back at what I was reading this time last year (or the year before or the year before that…) and compare it to what I am reading now.
A gripping road trip through post-apocalyptic America from Tim Lebbon, New York Times bestseller and author of Netflix’s The Silence.
Struck by famine and drought, large swathes of North America are now known as the Desert. Set against this mythic and vast backdrop, The Last Storm is a timely story of a family of Rainmakers whose rare and arcane gift has become a curse.
Jesse stopped rainmaking the moment his abilities became deadly, bringing down not just rain but scorpions, strange snakes and spiders. He thought he could help a land suffering from climate catastrophe, but he was wrong. When his daughter Ash inherited the tainted gift carried down the family bloodline, Jesse did his best to stop her. His attempt went tragically wrong, and ever since then he has believed himself responsible for his daughter’s death.
But now his wife Karina––who never gave up looking for their daughter—brings news that Ash is still alive. And she’s rainmaking again. Terrified of what she might bring down upon the desperate communities of the Desert, the estranged couple set out across the desolate landscape to find her. But Jesse and Karina are not the only ones looking for Ash. As the storms she conjures become more violent and deadly, some follow her seeking hope. And one is hungry for revenge.
Wealthy Washington suburbanites Marissa and Matthew Bishop seem to have it all—until Marissa is unfaithful. Beneath their veneer of perfection is a relationship riven by work and a lack of intimacy. She wants to repair things for the sake of their eight-year-old son and because she loves her husband. Enter Avery Chambers.
Avery is a therapist who lost her professional license. Still, it doesn’t stop her from counseling those in crisis, though they have to adhere to her unorthodox methods. And the Bishops are desperate.
When they glide through Avery’s door and Marissa reveals her infidelity, all three are set on a collision course. Because the biggest secrets in the room are still hidden, and it’s no longer simply a marriage that’s in danger.
Since 1973, The Exorcist and its progeny have scared and inspired half a century of filmgoers. Now, on the 50th anniversary of the original movie release, this is the definitive, fascinating story of the scariest movie ever madeand its lasting impact as one of the most shocking, influential, and successful adventures in the history of film. Written by Nat Segaloff, an original publicist for the movie and the acclaimed biographer of its director, with a foreword from John Russo, author and cowriter of the seminal horror film Night of the Living Dead.
On December 26, 1973, The Exorcist was released. Within days it had become legend. Moviegoers braved hours-long lines in winter weather to see it. Some audience members famously fainted or vomited. Half a century later, the movie that both inspired and transcends the modern horror genre has lost none of its power to terrify and unsettle.
The Exorcist Legacy reveals the complete story of this cultural phenomenon, from the real-life exorcism in 1949 Maryland that inspired William Peter Blatty’s bestselling novel on which the movie is based, to its many sequels, prequels, TV series, and homages. Nat Segaloff, biographer of the film’s director, William Friedkin, draws on original interviews with cast, crew, and participants as well as revelations from personal papers to present an intriguing and surprising new view of the making of movie, and its aftermath.
Segaloff also examines as never before the keys to the movie’s enduring appeal. Friedkin and Blatty’s goal was far more ambitious than making a scary movie; they aimed to make people “think about the concept of good and evil.” The Exorcist succeeds, and then some, not just by creating on-screen scares, but by challenging viewers’ deepest personal beliefs—and fears.
The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.
Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.
Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, “By excluding the human factor, aren’t we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn’t the human factor the only true difference between us and the enemy we now refer to as ‘the living dead’?”
Given the fact that there are perhaps 400 billion stars in our Galaxy alone, and perhaps 400 billion galaxies in the Universe, it stands to reason that somewhere out there, in the 14-billion-year-old cosmos, there is or once was a civilization at least as advanced as our own. The sheer enormity of the numbers almost demands that we accept the truth of this hypothesis. Why, then, have we encountered no evidence, no messages, no artifacts of these extraterrestrials?
In this second, significantly revised and expanded edition of his widely popular book, Webb discusses in detail the (for now!) 75 most cogent and intriguing solutions to Fermi’s famous paradox: If the numbers strongly point to the existence of extraterrestrial civilizations, why have we found no evidence of them?
Armed with only hazy memories, a woman who long ago witnessed her friend’s sudden, mysterious death, and has since spent her life trying to forget, sets out to track down answers. What she uncovers, deep in the woods, is hardly to be believed….
Maya was a high school senior when her best friend, Aubrey, mysteriously dropped dead in front of the enigmatic man named Frank whom they’d been spending time with all summer.
Seven years later, Maya lives in Boston with a loving boyfriend and is kicking the secret addiction that has allowed her to cope with what happened years ago, the gaps in her memories, and the lost time that she can’t account for. But her past comes rushing back when she comes across a recent YouTube video in which a young woman suddenly keels over and dies in a diner while sitting across from none other than Frank. Plunged into the trauma that has defined her life, Maya heads to her Berkshires hometown to relive that fateful summer–the influence Frank once had on her and the obsessive jealousy that nearly destroyed her friendship with Aubrey.
At her mother’s house, she excavates fragments of her past and notices hidden messages in her deceased Guatemalan father’s book that didn’t stand out to her earlier. To save herself, she must understand a story written before she was born, but time keeps running out, and soon, all roads are leading back to Frank’s cabin….
Utterly unique and captivating, The House in the Pines keeps you guessing about whether we can ever fully confront the past and return home.
Goodreads Monday is hosted by Budget Tales Book Blog. “Goodreads Monday allows you to post about what books are on your “to read” lists, the progress you have made on your current books and reading challenge, and any other Goodreads news!”
Two people meet in the Art Institute by chance. Prior to their encounter, he is a doctoral student who manages his destructive thoughts with compulsive calculations about time travel; she is a bipolar counterfeit artist, undergoing court-ordered psychotherapy. By the end of the story, these things will still be true. But this is not a story about endings.
For Regan, people are predictable and tedious, including and perhaps especially herself. She copes with the dreariness of existence by living impulsively, imagining a new, alternate timeline being created in the wake of every rash decision.
To Aldo, the world feels disturbingly chaotic. He gets through his days by erecting a wall of routine: a backbeat of rules and formulas that keep him going. Without them, the entire framework of his existence would collapse.
For Regan and Aldo, life has been a matter of resigning themselves to the blueprints of inevitability—until the two meet. Could six conversations with a stranger be the variable that shakes up the entire simulation?
Since 1973, The Exorcist and its progeny have scared and inspired half a century of filmgoers. Now, on the 50th anniversary of the original movie release, this is the definitive, fascinating story of the scariest movie ever madeand its lasting impact as one of the most shocking, influential, and successful adventures in the history of film. Written by Nat Segaloff, an original publicist for the movie and the acclaimed biographer of its director, with a foreword from John Russo, author and cowriter of the seminal horror film Night of the Living Dead.
On December 26, 1973, The Exorcist was released. Within days it had become legend. Moviegoers braved hours-long lines in winter weather to see it. Some audience members famously fainted or vomited. Half a century later, the movie that both inspired and transcends the modern horror genre has lost none of its power to terrify and unsettle.
The Exorcist Legacy reveals the complete story of this cultural phenomenon, from the real-life exorcism in 1949 Maryland that inspired William Peter Blatty’s bestselling novel on which the movie is based, to its many sequels, prequels, TV series, and homages. Nat Segaloff, biographer of the film’s director, William Friedkin, draws on original interviews with cast, crew, and participants as well as revelations from personal papers to present an intriguing and surprising new view of the making of movie, and its aftermath.
Segaloff also examines as never before the keys to the movie’s enduring appeal. Friedkin and Blatty’s goal was far more ambitious than making a scary movie; they aimed to make people “think about the concept of good and evil.” The Exorcist succeeds, and then some, not just by creating on-screen scares, but by challenging viewers’ deepest personal beliefs—and fears.
Progress: Kindle 66% (May 15th: 11%, June 6th 22%, June 19th 33%, August 21st 45%)
The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.
Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.
Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, “By excluding the human factor, aren’t we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn’t the human factor the only true difference between us and the enemy we now refer to as ‘the living dead’?”
Progress: Page 196 of 342 pages (August 21st, page 68)
Given the fact that there are perhaps 400 billion stars in our Galaxy alone, and perhaps 400 billion galaxies in the Universe, it stands to reason that somewhere out there, in the 14-billion-year-old cosmos, there is or once was a civilization at least as advanced as our own. The sheer enormity of the numbers almost demands that we accept the truth of this hypothesis. Why, then, have we encountered no evidence, no messages, no artifacts of these extraterrestrials? In this second, significantly revised and expanded edition of his widely popular book, Webb discusses in detail the (for now!) 75 most cogent and intriguing solutions to Fermi’s famous paradox: If the numbers strongly point to the existence of extraterrestrial civilizations, why have we found no evidence of them?
Armed with only hazy memories, a woman who long ago witnessed her friend’s sudden, mysterious death, and has since spent her life trying to forget, sets out to track down answers. What she uncovers, deep in the woods, is hardly to be believed….
Maya was a high school senior when her best friend, Aubrey, mysteriously dropped dead in front of the enigmatic man named Frank whom they’d been spending time with all summer.
Seven years later, Maya lives in Boston with a loving boyfriend and is kicking the secret addiction that has allowed her to cope with what happened years ago, the gaps in her memories, and the lost time that she can’t account for. But her past comes rushing back when she comes across a recent YouTube video in which a young woman suddenly keels over and dies in a diner while sitting across from none other than Frank. Plunged into the trauma that has defined her life, Maya heads to her Berkshires hometown to relive that fateful summer–the influence Frank once had on her and the obsessive jealousy that nearly destroyed her friendship with Aubrey.
At her mother’s house, she excavates fragments of her past and notices hidden messages in her deceased Guatemalan father’s book that didn’t stand out to her earlier. To save herself, she must understand a story written before she was born, but time keeps running out, and soon, all roads are leading back to Frank’s cabin….
Utterly unique and captivating, The House in the Pines keeps you guessing about whether we can ever fully confront the past and return home.
Marriages are tricky at the best of times, especially when one of you is dead.
Vincent Banecroft, the irascible editor of The Stranger Times, has never believed his wife died despite emphatic evidence to the contrary. Now, against all odds, it seems he may actually be proved right; but what lengths will he go to in an attempt to rescue her?
With Banecroft distracted, the shock resignation of assistant editor, Hannah Willis, couldn’t have come at a worse time. It speaks volumes that her decision to reconcile with her philandering ex-husband is only marginally less surprising than Banecroft and his wife getting back together. In this time of crisis, is her decision to swan off to a fancy new-age retreat run by a celebrity cult really the best thing for anyone?
As if that wasn’t enough, one of the paper’s ex-columnists has disappeared, a particularly impressive trick seeing as he never existed in the first place.
Floating statues, hijacked ghosts, homicidal cherubs, irate starlings, Reliant Robins and quite possibly several deeply sinister conspiracies; all-in-all, a typical week for the staff of The Stranger Times.
The Legal Alien 