Welcome to Friday 56! Hosted by Freda’s Voice, you turn to page 56 or 56% in any book or reading device and pick a sentence that grabs you.
“A telescope based at the Sun’s focal point would be an astronomer’s dream: it could study distant planets, stars and galaxies with incredible detail.”
Time Travel Thursday is hosted by Budget Tales Book Blog. This is where I take a look back at what I was reading this time last year (or the year before or the year before that…) and compare it to what I am reading now.
A gripping road trip through post-apocalyptic America from Tim Lebbon, New York Times bestseller and author of Netflix’s The Silence.
Struck by famine and drought, large swathes of North America are now known as the Desert. Set against this mythic and vast backdrop, The Last Storm is a timely story of a family of Rainmakers whose rare and arcane gift has become a curse.
Jesse stopped rainmaking the moment his abilities became deadly, bringing down not just rain but scorpions, strange snakes and spiders. He thought he could help a land suffering from climate catastrophe, but he was wrong. When his daughter Ash inherited the tainted gift carried down the family bloodline, Jesse did his best to stop her. His attempt went tragically wrong, and ever since then he has believed himself responsible for his daughter’s death.
But now his wife Karina––who never gave up looking for their daughter—brings news that Ash is still alive. And she’s rainmaking again. Terrified of what she might bring down upon the desperate communities of the Desert, the estranged couple set out across the desolate landscape to find her. But Jesse and Karina are not the only ones looking for Ash. As the storms she conjures become more violent and deadly, some follow her seeking hope. And one is hungry for revenge.
Wealthy Washington suburbanites Marissa and Matthew Bishop seem to have it all—until Marissa is unfaithful. Beneath their veneer of perfection is a relationship riven by work and a lack of intimacy. She wants to repair things for the sake of their eight-year-old son and because she loves her husband. Enter Avery Chambers.
Avery is a therapist who lost her professional license. Still, it doesn’t stop her from counseling those in crisis, though they have to adhere to her unorthodox methods. And the Bishops are desperate.
When they glide through Avery’s door and Marissa reveals her infidelity, all three are set on a collision course. Because the biggest secrets in the room are still hidden, and it’s no longer simply a marriage that’s in danger.
Since 1973, The Exorcist and its progeny have scared and inspired half a century of filmgoers. Now, on the 50th anniversary of the original movie release, this is the definitive, fascinating story of the scariest movie ever madeand its lasting impact as one of the most shocking, influential, and successful adventures in the history of film. Written by Nat Segaloff, an original publicist for the movie and the acclaimed biographer of its director, with a foreword from John Russo, author and cowriter of the seminal horror film Night of the Living Dead.
On December 26, 1973, The Exorcist was released. Within days it had become legend. Moviegoers braved hours-long lines in winter weather to see it. Some audience members famously fainted or vomited. Half a century later, the movie that both inspired and transcends the modern horror genre has lost none of its power to terrify and unsettle.
The Exorcist Legacy reveals the complete story of this cultural phenomenon, from the real-life exorcism in 1949 Maryland that inspired William Peter Blatty’s bestselling novel on which the movie is based, to its many sequels, prequels, TV series, and homages. Nat Segaloff, biographer of the film’s director, William Friedkin, draws on original interviews with cast, crew, and participants as well as revelations from personal papers to present an intriguing and surprising new view of the making of movie, and its aftermath.
Segaloff also examines as never before the keys to the movie’s enduring appeal. Friedkin and Blatty’s goal was far more ambitious than making a scary movie; they aimed to make people “think about the concept of good and evil.” The Exorcist succeeds, and then some, not just by creating on-screen scares, but by challenging viewers’ deepest personal beliefs—and fears.
The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.
Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.
Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, “By excluding the human factor, aren’t we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn’t the human factor the only true difference between us and the enemy we now refer to as ‘the living dead’?”
Given the fact that there are perhaps 400 billion stars in our Galaxy alone, and perhaps 400 billion galaxies in the Universe, it stands to reason that somewhere out there, in the 14-billion-year-old cosmos, there is or once was a civilization at least as advanced as our own. The sheer enormity of the numbers almost demands that we accept the truth of this hypothesis. Why, then, have we encountered no evidence, no messages, no artifacts of these extraterrestrials?
In this second, significantly revised and expanded edition of his widely popular book, Webb discusses in detail the (for now!) 75 most cogent and intriguing solutions to Fermi’s famous paradox: If the numbers strongly point to the existence of extraterrestrial civilizations, why have we found no evidence of them?
Armed with only hazy memories, a woman who long ago witnessed her friend’s sudden, mysterious death, and has since spent her life trying to forget, sets out to track down answers. What she uncovers, deep in the woods, is hardly to be believed….
Maya was a high school senior when her best friend, Aubrey, mysteriously dropped dead in front of the enigmatic man named Frank whom they’d been spending time with all summer.
Seven years later, Maya lives in Boston with a loving boyfriend and is kicking the secret addiction that has allowed her to cope with what happened years ago, the gaps in her memories, and the lost time that she can’t account for. But her past comes rushing back when she comes across a recent YouTube video in which a young woman suddenly keels over and dies in a diner while sitting across from none other than Frank. Plunged into the trauma that has defined her life, Maya heads to her Berkshires hometown to relive that fateful summer–the influence Frank once had on her and the obsessive jealousy that nearly destroyed her friendship with Aubrey.
At her mother’s house, she excavates fragments of her past and notices hidden messages in her deceased Guatemalan father’s book that didn’t stand out to her earlier. To save herself, she must understand a story written before she was born, but time keeps running out, and soon, all roads are leading back to Frank’s cabin….
Utterly unique and captivating, The House in the Pines keeps you guessing about whether we can ever fully confront the past and return home.
Shelf Control is hosted by Bookshelf Fantasies. Instead of always looking ahead to upcoming new releases, I thought I’d start a weekly feature focusing on already released books that I want to read. Consider this a variation of a Wishing & Waiting post… but looking at books already available, and in most cases, books that are either on my shelves or on my Kindle!
Title:Baby Proof
Author:Emily Giffin
Published:2006
Length:356 pages
Brief Synopsis from Goodreads: From the author of the smash hits Something Borrowed and Something Blue comes a novel that explores the question: is there ever a deal-breaker when it comes to true love?
First comes love. Then comes marriage. Then comes . . . a baby carriage? Isn’t that what all women want?
Not so for Claudia Parr. And just as she gives up on finding a man who feels the same way, she meets warm, wonderful Ben. Things seem too good to be true when they fall in love and agree to buck tradition with a satisfying, child-free marriage. Then the unexpected occurs: one of them has a change of heart. One of them wants children after all.
This is the witty, heartfelt story about what happens to the perfect couple when they suddenly want different things. It’s about feeling that your life is set and then realizing that nothing is as you thought it was—and that there is no possible compromise. It’s about deciding what is most important in life, and taking chances to get it. But most of all, it’s about the things we will do—and won’t do—for love.
How I got it: I bought it from a used bookstore website in Germany.
When I got it: 2023
Why I want to read it: I bought several women’s fiction novels to read while I was writing my own so that I could be in the women’s fiction frame of mind as I wrote.
First Chapter First Paragraph Tuesday! Hosted by Socrates Book Reviews this is where you share the first paragraph of one of the books that you are currently reading.
Goodreads Monday is hosted by Budget Tales Book Blog. “Goodreads Monday allows you to post about what books are on your “to read” lists, the progress you have made on your current books and reading challenge, and any other Goodreads news!”
Two people meet in the Art Institute by chance. Prior to their encounter, he is a doctoral student who manages his destructive thoughts with compulsive calculations about time travel; she is a bipolar counterfeit artist, undergoing court-ordered psychotherapy. By the end of the story, these things will still be true. But this is not a story about endings.
For Regan, people are predictable and tedious, including and perhaps especially herself. She copes with the dreariness of existence by living impulsively, imagining a new, alternate timeline being created in the wake of every rash decision.
To Aldo, the world feels disturbingly chaotic. He gets through his days by erecting a wall of routine: a backbeat of rules and formulas that keep him going. Without them, the entire framework of his existence would collapse.
For Regan and Aldo, life has been a matter of resigning themselves to the blueprints of inevitability—until the two meet. Could six conversations with a stranger be the variable that shakes up the entire simulation?
Since 1973, The Exorcist and its progeny have scared and inspired half a century of filmgoers. Now, on the 50th anniversary of the original movie release, this is the definitive, fascinating story of the scariest movie ever madeand its lasting impact as one of the most shocking, influential, and successful adventures in the history of film. Written by Nat Segaloff, an original publicist for the movie and the acclaimed biographer of its director, with a foreword from John Russo, author and cowriter of the seminal horror film Night of the Living Dead.
On December 26, 1973, The Exorcist was released. Within days it had become legend. Moviegoers braved hours-long lines in winter weather to see it. Some audience members famously fainted or vomited. Half a century later, the movie that both inspired and transcends the modern horror genre has lost none of its power to terrify and unsettle.
The Exorcist Legacy reveals the complete story of this cultural phenomenon, from the real-life exorcism in 1949 Maryland that inspired William Peter Blatty’s bestselling novel on which the movie is based, to its many sequels, prequels, TV series, and homages. Nat Segaloff, biographer of the film’s director, William Friedkin, draws on original interviews with cast, crew, and participants as well as revelations from personal papers to present an intriguing and surprising new view of the making of movie, and its aftermath.
Segaloff also examines as never before the keys to the movie’s enduring appeal. Friedkin and Blatty’s goal was far more ambitious than making a scary movie; they aimed to make people “think about the concept of good and evil.” The Exorcist succeeds, and then some, not just by creating on-screen scares, but by challenging viewers’ deepest personal beliefs—and fears.
Progress: Kindle 66% (May 15th: 11%, June 6th 22%, June 19th 33%, August 21st 45%)
The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.
Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.
Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, “By excluding the human factor, aren’t we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn’t the human factor the only true difference between us and the enemy we now refer to as ‘the living dead’?”
Progress: Page 196 of 342 pages (August 21st, page 68)
Given the fact that there are perhaps 400 billion stars in our Galaxy alone, and perhaps 400 billion galaxies in the Universe, it stands to reason that somewhere out there, in the 14-billion-year-old cosmos, there is or once was a civilization at least as advanced as our own. The sheer enormity of the numbers almost demands that we accept the truth of this hypothesis. Why, then, have we encountered no evidence, no messages, no artifacts of these extraterrestrials? In this second, significantly revised and expanded edition of his widely popular book, Webb discusses in detail the (for now!) 75 most cogent and intriguing solutions to Fermi’s famous paradox: If the numbers strongly point to the existence of extraterrestrial civilizations, why have we found no evidence of them?
Armed with only hazy memories, a woman who long ago witnessed her friend’s sudden, mysterious death, and has since spent her life trying to forget, sets out to track down answers. What she uncovers, deep in the woods, is hardly to be believed….
Maya was a high school senior when her best friend, Aubrey, mysteriously dropped dead in front of the enigmatic man named Frank whom they’d been spending time with all summer.
Seven years later, Maya lives in Boston with a loving boyfriend and is kicking the secret addiction that has allowed her to cope with what happened years ago, the gaps in her memories, and the lost time that she can’t account for. But her past comes rushing back when she comes across a recent YouTube video in which a young woman suddenly keels over and dies in a diner while sitting across from none other than Frank. Plunged into the trauma that has defined her life, Maya heads to her Berkshires hometown to relive that fateful summer–the influence Frank once had on her and the obsessive jealousy that nearly destroyed her friendship with Aubrey.
At her mother’s house, she excavates fragments of her past and notices hidden messages in her deceased Guatemalan father’s book that didn’t stand out to her earlier. To save herself, she must understand a story written before she was born, but time keeps running out, and soon, all roads are leading back to Frank’s cabin….
Utterly unique and captivating, The House in the Pines keeps you guessing about whether we can ever fully confront the past and return home.
Marriages are tricky at the best of times, especially when one of you is dead.
Vincent Banecroft, the irascible editor of The Stranger Times, has never believed his wife died despite emphatic evidence to the contrary. Now, against all odds, it seems he may actually be proved right; but what lengths will he go to in an attempt to rescue her?
With Banecroft distracted, the shock resignation of assistant editor, Hannah Willis, couldn’t have come at a worse time. It speaks volumes that her decision to reconcile with her philandering ex-husband is only marginally less surprising than Banecroft and his wife getting back together. In this time of crisis, is her decision to swan off to a fancy new-age retreat run by a celebrity cult really the best thing for anyone?
As if that wasn’t enough, one of the paper’s ex-columnists has disappeared, a particularly impressive trick seeing as he never existed in the first place.
Floating statues, hijacked ghosts, homicidal cherubs, irate starlings, Reliant Robins and quite possibly several deeply sinister conspiracies; all-in-all, a typical week for the staff of The Stranger Times.
Genre: Fiction, Mystery, Humor, Vampires, Fantasy, Urban Fantasy
Read Start Date: July 7, 2023
Read Finish Date: August 7, 2023
Number of Book in Series: 2
Brief Summary of the Plot from Goodreads: Vampires do not exist. Everyone knows this. So it’s particularly annoying when they start popping up around Manchester .
Nobody is pleased about it. Not the Founders, the secret organisation for whom vampires were invented as an allegory, nor the Folk, the magical people hidden in plain sight who only want a quiet life. And definitely not the people of Manchester, because there is nothing more irksome than being murdered by an allegory run amok. Somebody needs to sort this out fast before all Hell really breaks loose – step forward the staff of The Stranger Times.
It’s not like they don’t have enough to be dealing with. Assistant Editor Hannah has come back from getting messily divorced to discover that someone is trying to kidnap a member of their staff and while editor Vincent Banecroft would be delighted to see the back of any of his team, he doesn’t like people touching his stuff – it’s the principle of the thing.
Throw in a precarious plumbing situation, gambling debts, an entirely new way of swearing, and a certain detective inspector with what could be kindly referred to as ‘a lot of baggage’ and it all adds up to another hectic week in the life of the newspaper committed to reporting the truth that nobody else will touch.
My Review: The characters from The Stranger Times are back and as hilarious as ever. Instead of telling you how great the book is, I’m just going to share some of my favorite quotes from the book below.
“‘But we haven’t got running water’, said Grace.
‘Yes,’ said Banecroft. ‘The good Lord has blessed me with many gifts, including male genitalia. Ergo, I can pee anywhere. Out of windows, in woods, in that plant pot beside your desk…’
‘Don’t you dare,’ warned Grace.
Banecroft waved a hand theatrically in the air as he left the room. ‘Too late!’
Grace looked around the room. ‘He wouldn’t, would he?’
Her colleagues avoided her gaze.
‘If you’ll excuse me,’ she sighed, ‘I need to go and burn an asparagus fern.'”
page 62-63
“Vincent Banecroft slipped through he doors of the Kanky’s Rest pub and looked around him. He’d never been here before and yet he knew the place well. It was a proper old fellas pub. Everything was made out of hardened wood or worn leather, including the clienetele.”
Page 135
“Hannah shook her head. ‘How has he got this far in life without anyone stabbing him?’
‘I heard that,’ roared Banecroft from the other room. ‘Shows what you know. I’ve been stabbed twice!'”
page 201
“On the day Banecroft went to pass his driving test on the first time, Patrick, the instructor who’d had to endure the stresses of teaching him, resigned in protest at a system that was broke beyond belief. He retrained in a less stressful profession and ended up being awarded a medal for his work as a bomb-disposal technician.”
page 415
Stats: As of writing this review on September 3, 2023, this book has an average rating of 4.39 stars. As you can see, many people think this book is great, so you don’t have to take only my word for it.
Brief Summary of the Plot from Goodreads: There are Dark Forces at work in our world (and in Manchester in particular) and so thank God The Stranger Times is on hand to report them. A weekly newspaper dedicated to the weird and the wonderful (but more often the weird) of modern life, it is the go-to publication for the unexplained and inexplicable . . .
At least that’s their pitch. The reality is rather less auspicious. Their editor is a drunken, foul-tempered and -mouthed husk of a man who thinks little (and believes less) of the publication he edits, while his staff are a ragtag group of wastrels and misfits, each with their own secrets to hide and axes to grind. And as for the assistant editor . . . well, that job is a revolving door – and it has just revolved to reveal Hannah Willis, who’s got her own set of problems.
It’s when tragedy strikes in Hannah’s first week on the job that The Stranger Times is forced to do some serious, proper, actual investigative journalism. What they discover leads them to a shocking realisation: that some of the stories they’d previously dismissed as nonsense are in fact terrifyingly, gruesomely real. Soon they come face-to-face with darker foes than they could ever have imagined. It’s one thing reporting on the unexplained and paranormal but it’s quite another being dragged into the battle between the forces of Good and Evil . . .
Welcome to Friday 56! Hosted by Freda’s Voice, you turn to page 56 or 56% in any book or reading device and pick a sentence that grabs you.
“When this picture was called Legion, he realized, ‘the screenplay is brilliant. When this screenplay or film is called The Exorcist: 15 Years After or The Exorcist anything, it’s not brilliant because it does not fulfill the expectation of the audience that there is a child in trouble. In other words, it’s a remake.”
Time Travel Thursday is hosted by Budget Tales Book Blog. This is where I take a look back at what I was reading this time last year (or the year before or the year before that…) and compare it to what I am reading now.
Shelby Tebow is the first to go missing. Not long after, Meredith Dickey and her six-year-old daughter, Delilah, vanish just blocks away from where Shelby was last seen, striking fear into their once-peaceful community. Are these incidents connected? After an elusive search that yields more questions than answers, the case eventually goes cold.
Now, 11 years later, Delilah shockingly returns. Everyone wants to know what happened to her, but no one is prepared for what they’ll find….
In this smart and chilling thriller, master of suspense and New York Times best-selling author Mary Kubica takes domestic secrets to a whole new level, showing that some people will stop at nothing to keep the truth buried.
One summer. Two rivals. A plot twist they didn’t see coming….
Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby.
Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small-town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute.
If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
A gripping road trip through post-apocalyptic America from Tim Lebbon, New York Times bestseller and author of Netflix’s The Silence.
Struck by famine and drought, large swathes of North America are now known as the Desert. Set against this mythic and vast backdrop, The Last Storm is a timely story of a family of Rainmakers whose rare and arcane gift has become a curse.
Jesse stopped rainmaking the moment his abilities became deadly, bringing down not just rain but scorpions, strange snakes and spiders. He thought he could help a land suffering from climate catastrophe, but he was wrong. When his daughter Ash inherited the tainted gift carried down the family bloodline, Jesse did his best to stop her. His attempt went tragically wrong, and ever since then he has believed himself responsible for his daughter’s death.
But now his wife Karina––who never gave up looking for their daughter—brings news that Ash is still alive. And she’s rainmaking again. Terrified of what she might bring down upon the desperate communities of the Desert, the estranged couple set out across the desolate landscape to find her. But Jesse and Karina are not the only ones looking for Ash. As the storms she conjures become more violent and deadly, some follow her seeking hope. And one is hungry for revenge.
Since 1973, The Exorcist and its progeny have scared and inspired half a century of filmgoers. Now, on the 50th anniversary of the original movie release, this is the definitive, fascinating story of the scariest movie ever madeand its lasting impact as one of the most shocking, influential, and successful adventures in the history of film. Written by Nat Segaloff, an original publicist for the movie and the acclaimed biographer of its director, with a foreword from John Russo, author and cowriter of the seminal horror film Night of the Living Dead.
On December 26, 1973, The Exorcist was released. Within days it had become legend. Moviegoers braved hours-long lines in winter weather to see it. Some audience members famously fainted or vomited. Half a century later, the movie that both inspired and transcends the modern horror genre has lost none of its power to terrify and unsettle.
The Exorcist Legacy reveals the complete story of this cultural phenomenon, from the real-life exorcism in 1949 Maryland that inspired William Peter Blatty’s bestselling novel on which the movie is based, to its many sequels, prequels, TV series, and homages. Nat Segaloff, biographer of the film’s director, William Friedkin, draws on original interviews with cast, crew, and participants as well as revelations from personal papers to present an intriguing and surprising new view of the making of movie, and its aftermath.
Segaloff also examines as never before the keys to the movie’s enduring appeal. Friedkin and Blatty’s goal was far more ambitious than making a scary movie; they aimed to make people “think about the concept of good and evil.” The Exorcist succeeds, and then some, not just by creating on-screen scares, but by challenging viewers’ deepest personal beliefs—and fears.
The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.
Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.
Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, “By excluding the human factor, aren’t we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn’t the human factor the only true difference between us and the enemy we now refer to as ‘the living dead’?”
Given the fact that there are perhaps 400 billion stars in our Galaxy alone, and perhaps 400 billion galaxies in the Universe, it stands to reason that somewhere out there, in the 14-billion-year-old cosmos, there is or once was a civilization at least as advanced as our own. The sheer enormity of the numbers almost demands that we accept the truth of this hypothesis. Why, then, have we encountered no evidence, no messages, no artifacts of these extraterrestrials?
In this second, significantly revised and expanded edition of his widely popular book, Webb discusses in detail the (for now!) 75 most cogent and intriguing solutions to Fermi’s famous paradox: If the numbers strongly point to the existence of extraterrestrial civilizations, why have we found no evidence of them?
Shelf Control is hosted by Bookshelf Fantasies. Instead of always looking ahead to upcoming new releases, I thought I’d start a weekly feature focusing on already released books that I want to read. Consider this a variation of a Wishing & Waiting post… but looking at books already available, and in most cases, books that are either on my shelves or on my Kindle!
Marriages are tricky at the best of times, especially when one of you is dead.
Vincent Banecroft, the irascible editor of The Stranger Times, has never believed his wife died despite emphatic evidence to the contrary. Now, against all odds, it seems he may actually be proved right; but what lengths will he go to in an attempt to rescue her?
With Banecroft distracted, the shock resignation of assistant editor, Hannah Willis, couldn’t have come at a worse time. It speaks volumes that her decision to reconcile with her philandering ex-husband is only marginally less surprising than Banecroft and his wife getting back together. In this time of crisis, is her decision to swan off to a fancy new-age retreat run by a celebrity cult really the best thing for anyone?
As if that wasn’t enough, one of the paper’s ex-columnists has disappeared, a particularly impressive trick seeing as he never existed in the first place.
Floating statues, hijacked ghosts, homicidal cherubs, irate starlings, Reliant Robins and quite possibly several deeply sinister conspiracies; all-in-all, a typical week for the staff of The Stranger Times.
How I got it: I checked this book out from the library.
When I got it: 2023
Why I want to read it: I read the first two books and they are hilarious! I love this series.
First Chapter First Paragraph Tuesday! Hosted by Socrates Book Reviews this is where you share the first paragraph of one of the books that you are currently reading.
“The Exorcist may be the most misunderstood classic of all time.”